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Abstract: This paper is intended as a critical examination of the question of when the use of computer simulations is beneficial to scientific explanations. This objective is pursued in two steps: First, I try to establish clear criteria that simulations must meet in order to be explanatory. Basically, a simulation has explanatory power only if it includes all causally relevant factors of a given empirical configuration and if the simulation delivers stable results within the measurement inaccuracies of the input parameters. If a simulation is not explanatory, it can still be meaningful for exploratory purposes, but only under very restricted conditions. In the second step, I examine a few examples of Axelrod-style simulations as they have been used to understand the evolution of cooperation (Axelrod, Schüßler) and the evolution of the social contract (Skyrms). These simulations do not meet the criteria for explanatory validity and it can be shown, as I believe, that they lead us astray from the scientific problems they have been addressed to solve and at the same time bar our imagination against more conventional but still better approaches
Abstract: This paper examines Santayana on imagination, and related themes, chiefly as these are expressed in his early work, Interpretations of Poetry and Religion (1900). My hypothesis is that Santayana under-estimates, in this book, the force and significance of the prevalent distinction between imagination and fancy, as this was originally put forward by Coleridge and later developed in Emerson’s late essays. I will focus on some of those aspects of Santayana’s book which appear to react to or to engage with Emerson’s views and aim to bring Santayana’s treatment of the theme of imagination into relation with Emerson. Understanding the differences in greater detail we stand a better chance of reasoned evaluation of alternative conceptions of imagination. I will argue that the Coleridge-Emersonian conception of the distinction between imagination and fancy is a crucial element of the background of Peircean abduction, and in this fashion, contributes to the continuity of Emerson’s writings with the pragmatist tradition.
Abstract: In the nineteenth century, astronomers thought that a planet between Mercury and the Sun was causing perturbations in the orbit of Mercury, and they introduced ‘Vulcan’ as a name for such a planet. But they were wrong: there was, and is, no intra-Mercurial planet. Still, these astronomers went around saying things like (2) Vulcan is a planet between Mercury and the Sun. Some philosophers think that, when nineteenth-century astronomers were theorizing about an intra-Mercurial planet, they created a hypothetical planet
Abstract: David Hume endorses three claims that are difficult to reconcile: (1) sympathy with those in distress is sufficient to produce compassion towards their plight, (2) adopting the general point of view often requires us to sympathize with the pain and suffering of distant strangers, but (3) our care and concern is limited to those in our close circle. Hume manages to resolve this tension, however, by distinguishing two types of sympathy. We feel compassion towards those around us because associative sympathy causes us to mirror their pain and suffering, but our ability to enter into the afflictions of those remote from us involves cognitive sympathy and merely requires us to reflect upon how we would feel in their shoes. This hybrid theory of sympathy receives support from recent work on affective mirroring and cognitive pretense. Hume’s account should appeal to contemporary researchers, therefore, who are interested in the nature of moral imagination.
Abstract: One of the central concerns of Moran's essay The Expression of Feeling in Imagination1 is to address the problem of fictional emotions - that is, of our emotional responses towards fictional characters, situations or events – and to clarify whether it is essentially related to some form of imagining or another.2 Moran's specific aim is thereby to criticise Walton's solution to the problem in terms of (as it seems) propositional imagining, and to present his own alternative account in terms of emotional imagining. In this paper, I will primarily be concerned with the question of whether he has succeeded in this aim. But I intend also to briefly introduce and discuss towards the end a third approach to the problem and, especially, to the issue of whether imagining plays a central role in the occurrence of fictional emotions
Abstract: While the activity of imagination is present in much writing about environmental ethics, little direct attention has been given to clarifying its role. Both its significant presence and provocative theoretical work showing the central role of imagination in ethics suggest a need for discussion of its contributions. Environmental ethicists especially should attend to imagination because of the pervasive influence of metaphorical constructs of nature and because imaginative work is required to even partially envision the perspective of a nonhuman being. Without clear awareness of the limits of contemporary Western metaphoric constructs of nature, environmental ethicists may overlook or even contribute to the cultural extinction of ideas of nature present in the imaginative visions of indigenous cultures. In this article, I briefly review the reasons why the dominant Western philosophical tradition ranks imagination below the power of abstract reasoning, survey contemporary ideas about the role of imagination in ethics, and consider the implications of these ideas for environmental ethics. The work of imaginative empathy in constructing what might be the experience of nonhuman beings, the role of diverse metaphors and symbols in understanding nature, and the process of envisioning the possible future are developed as three central contributions of imagination to environmental ethics. Imaginative work is not peripheral, butcomplementary to the work of reason in shaping an environmental ethic
Abstract: The notion of conceivability has traditionally been regarded as crucial to an account of modal knowledge. Despite its importance to modal epistemology, there is no received explication of conceivability. One purpose of this paper is to argue that the notion is not fruitfully explicated in terms of the imagination. The most natural way of presenting a notion of conceivability qua imaginability is open to cogent criticism. In order to avoid such criticism, an advocate of the modal insightfulness of the imagination must broaden the idea of what it is to be imaginable. I argue that this required broadening renders the imagination idle (in this context). Consequently, I distinguish two different accounts of the evidential basis of modal knowledge and present a more general argument that concludes that the very notion of conceivability should be eschewed in modal epistemology
Abstract: Each of us distinguishes between himself and states of himself on the one hand, and what is not himself or a state of himself on the other. What are the conditions of our making this distinction, and how are they fulfilled? In what way do we make it, and why do we make it in the way we do?
Abstract: Counterfactual imaginings are known to have far reaching implications. In the present experiment, we ask if imagining events from one's past can affect memory for childhood events. We draw on the social psychology literature showing that imagining a future event increases the subjective likelihood that the event will occur. The concepts of cognitive availability and the source monitoring framework provide reasons to expect that imagination may inflate confidence that a childhood event occurred. However, people routinely produce myriad counterfactual imaginings (i.e., daydreams and fantasies) but usually do not confuse them with past experiences. To determine the effects of imagining a childhood event, we pretested subjects on how confident they were that a number of childhood events had happened, asked them to imagine some of those events, and then gathered new confidence measures. For each of the target items, imagination inflated confidence that the event had occurred in childhood. We discuss implications for situations in which imagination is used as an aid in searching for presumably lost memories
Abstract: The earliest known products of human imagination appear to express a primordial concern and struggle with thoughts of dying and of death and mortality. I argue that the structures and processes of imagination evolved in that struggle, in response to debilitating anxieties and fearful states that would accompany an incipient awareness of mortality. Imagination evolved to find that which would make the nascent apprehension of death more bearable, to engage in a search for alternative perceptions of death: a search that was beyond the capability of the external senses. I argue that imagination evolved as flight and fight adaptations in response to debilitating fears that paralleled an emerging foreknowledge of death. Imagination, and symbolic language to express its perceptions, would eventually lead to religious behavior and the development of cultural supports. Although highly speculative, my argument draws on recent brain studies, and on anthropology, psychology, and linguistics
Abstract: Modelling became one of the primary tools of economic research in the 20th century and economists understand their mathematical models as giving some kind of representation of the economic world, one adequate enough for the purpose of reasoning about that world. But when we look at examples of how non-analogical models were first built in economics, both the process of making representations and aspects of the representing relation remain opaque. Like early astronomers, economists have to imagine how the hidden parts of their world are arranged and to make images, that is, create models, to represent how they work. The case of the Edgeworth Box, a widely used model in 20th century economics, provides a good example to explore the role of imagination and images in the process of making representations of the economy
Abstract: Recent work in developmental psychology indicates that children naturally think that psychological states continue after death. One important candidate explanation for why this belief is natural appeals to the idea that we believe in immortality because we can’t imagine our own nonexistence. This paper explores this old idea. To begin, I present a qualified statement of the thesis that we can’t imagine our own nonexistence. I argue that the most prominent explanation for this obstacle, Freud’s, is problematic. I go on to describe some central features of contemporary cognitive accounts of the imagination, and I argue that these accounts provide an independently motivated explanation for the imaginative obstacle. While the imaginative obstacle does not dictate a belief in immortality, it does, I maintain, facilitate such a belief
Abstract: According to recent accounts of the imagination, mental mechanisms that can take input from both imagining and from believing will process imagination-based inputs (pretense representations) and isomorphic beliefs in much the same way. That is, such a mechanism should produce similar outputs whether its input is the belief that p or the pretense representation that p. Unfortunately, there seem to be clear counterexamples to this hypothesis, for in many cases, imagining that p and believing that p have quite different psychological consequences. This paper sets out some central problem cases and argues that the cases might be accommodated by adverting to the role of desires concerning real and imaginary situations
Abstract: Classical and medieval writers had no term for consciousness in anything like the modern sense, and their philosophy seems not to have been troubled by the mind-body problem. Contemporary eliminativists find strong support in this fact for their claim that consciousness does not exist, or, at least, is not an appropriate scientific explanandum. They typically hold that contemporary conceptions of consciousness are artefacts of Descartes' (now outmoded) views about matter and his unrealistic craving for epistemological certainty. Essentially, they say, our belief in consciousness is a residue of once pressing, but now irrelevant, intellectual tensions between religion and the rising new science of the Early Modern period. With the attempts of Descartes and his successors to resolve these tensions, Western thought began down a track toward the conceptual cul-de-sac of the "hard problem". Plausibly, the problem will only be (dis)solved, and the onward march of science assured, when we are able to shake off the pervasive influence of the Cartesian tradition in a way that goes far beyond the mere rejection of dualism. But when we do so, eliminativists contend, the distinctively Cartesian notion of consciousness will simply drop out of our world-picture, like phlogiston or the vital entelechy
Abstract: This paper offers a conceptual framework which (re)integrates goal-directed control, motivational processes, and executive functions, and suggests a developmentalpathway from situated action to higher level cognition. We first illustrate a basic computational (control-theoretic) model of goal-directed action that makes use of internalmodeling. We then show that by adding the problem of selection among multiple actionalternatives motivation enters the scene, and that the basic mechanisms of executivefunctions such as inhibition, the monitoring of progresses, and working memory, arerequired for this system to work. Further, we elaborate on the idea that the off-line re-enactment of anticipatory mechanisms used for action control gives rise to (embodied)mental simulations, and propose that thinking consists essentially in controlling mental simulations rather than directly controlling behavior and perceptions. We concludeby sketching an evolutionary perspective of this process, proposing that anticipationleveraged cognition, and by highlighting specific predictions of our model.
Abstract: This paper offers a conceptual framework which (re)integrates goal-directed control, motivational processes, and executive functions, and suggests a developmentalpathway from situated action to higher level cognition. We first illustrate a basic computational (control-theoretic) model of goal-directed action that makes use of internalmodeling. We then show that by adding the problem of selection among multiple actionalternatives motivation enters the scene, and that the basic mechanisms of executivefunctions such as inhibition, the monitoring of progresses, and working memory, arerequired for this system to work. Further, we elaborate on the idea that the off-line re-enactment of anticipatory mechanisms used for action control gives rise to (embodied)mental simulations, and propose that thinking consists essentially in controlling mental simulations rather than directly controlling behavior and perceptions. We concludeby sketching an evolutionary perspective of this process, proposing that anticipationleveraged cognition, and by highlighting specific predictions of our model.
Abstract: The broad dissemination of digital communication technologies is raising disturbing questions about the nature of truth as representation. This epistemological crisis shares an uncanny affinity with the crisis of representation that lay at the heart of the baroque era during the 17th century in Europe. The resolution of that crisis, through the work of Descartes and others, came on the heels of a philosophical shift from the image to the sign. Not incidentally, that move was accompanied by significant political and juridical developments, including: the origin of legal positivism, the rise of conventionalism (or nominalism), the disenchantment of nature and the decline of natural law, and the emergence of the modern nation-state. The semiotic model today, however, is strained to the breaking point. Infinitely mutable digital signs proliferate as copies of copies; signifiers have been shorn of the signified. The ensuing mutation of the Cartesian sign into the digital image has been accompanied by significant political and juridical developments. Individual autonomy, universal reason, and calculative rationality - the traditional foundation for core Liberal values - are being challenged by digital practices. Like the baroque crisis of visuality that preceded it, the current crisis of the digital neo-baroque will not ease until confidence is restored not only in acceptable forms of truth as representation, but also in the mimetic faculty itself, which is to say, in the human capacity to represent self and others. 'Sublime jurisprudence' is a metaphysical model that seeks to address this need
Abstract: Common wisdom tells us that we have five senses: sight, hearing, smell, taste and touch. These senses provide us with a means of gaining information concerning objects in the world around us, including our own bodies. But in addition to these five senses, each of us is aware of our own body in way in which we are aware of no other thing. These ways include our awareness of the position, orientation, movement, and size of our limbs (proprioception and kinaesthesia), our sense of balance, and our awareness of bodily sensations such as pains, tickles, and sensations of pressure or temperature. We can group these together under the title
Abstract: A peculiar feature of Hutcheson’s system is his claim that there exist no original pains in the imagination, and hence no real displeasures concerning form or beauty. This position, when set against a clear emphasis upon the pains of the moral sense in apprehending evil, seems to render tenuous his frequent analogies between the experiences of beauty and goodness. In light of this apparent discrepancy in Hutcheson’s argument, the repeated use of the term “moral beauty” presents interpretive difficulties, particularly on the matter of whether, and in what way, goodness is itself a species of beauty. These problems can be surmounted by way of close attention to Hutcheson’s connection and ordering of the various “senses.” On the present interpretation, Hutcheson denies formal displeasure aspart of a broader theological argument concerning the moral function of the imagination. On this view, “moral beauty” is a special type of imaginative pleasure
Abstract: Stich & Ravenscroft (1994) have argued that (contrary to most people's initial assumptions) a simulation account of folk psychology may be consistent with eliminative materialism, but they fail to bring out the full complexity or the potential significance of the relationship. Contemporary eliminativism (particularly in the Churchland version) makes two major claims: the first is a rejection of the orthodox assumption that realistically construed propositional attitudes are fundamental to human cognition; the second is the suggestion that with the advancement of scientific understanding of the mind it will be possible to entirely eliminate the mentalistic and intentional from our ontology, thus dissolving the mind-body problem. The first claim (which has been argued in detail) supplies the principal grounds for accepting the second, much more ambitious and significant, claim. Robert Gordon's (1995, 1996, 2000) radical simulation theory of "folk psychology", proposed initially (Gordon, 1986) as an alternative to "theory theory" accounts of self and interpersonal understanding, but subsequently developing into a quite general challenge to symbolic computational accounts of mind, is not merely consistent with, but actually provides considerable additional support for, the first eliminativist claim. However, although radical simulationism has no use for reified propositional attitudes, it relies on another family of mentalistic and intentional notions, including perspective taking, "seeing as", pretending, imagery, and, most centrally, imagination. It is thus inconsistent with eliminativist metaphysical ambitions. Nevertheless, from this perspective the mind-body problem is transformed. Its solution no longer depends on accounting directly for the intentionality of the attitudes, but rather on accounting for the intentionality of imagination. Although standard accounts of imagination derive its intentionality from that of the attitudes, the recently proposed "perceptual activity" theory of imagery and imagination (Thomas, 1999) can provide a direct account of the intentionality of imagination that is consistent with physicalism..
Abstract: Can theories of mental imagery, conscious mental contents, developed within cognitive science throw light on the obscure (but culturally very significant) concept of imagination? Three extant views of mental imagery are considered: quasi-pictorial, description, and perceptual activity theories. The first two face serious theoretical and empirical difficulties. The third is (for historically contingent reasons) little known, theoretically underdeveloped, and empirically untried, but has real explanatory potential. It rejects the "traditional" symbolic computational view of mental contents, but is compatible with recent *situated cognition* and *active vision* approaches in robotics. This theory is developed and elucidated. Three related key aspects of imagination (non-discursiveness, creativity, and *seeing as*) raise difficulties for the other theories. Perceptual activity theory presents imagery as non-discursive and relates it closely to *seeing as*. It is thus well placed to be the basis for a general theory of imagination and its role in creative thought
Abstract: Classical and medieval writers had no term for consciousness in anything like the modern sense, and their philosophy seems not to have been troubled by the mind-body problem. Contemporary eliminativists find strong support in this fact for their claim that consciousness does not exist, or, at least, is not an appropriate scientific explanandum. They typically hold that contemporary conceptions of consciousness are artefacts of Descartes' (now outmoded) views about matter and his unrealistic craving for epistemological certainty. Essentially, they say, our belief in consciousness is a residue of once pressing, but now irrelevant, intellectual tensions between religion and the rising new science of the Early Modern period. With the attempts of Descartes and his successors to resolve these tensions, Western thought began down a track toward the conceptual cul-de-sac of the "hard problem". Plausibly, the problem will only be (dis)solved, and the onward march of science assured, when we are able to shake off the pervasive influence of the Cartesian tradition in a way that goes far beyond the mere rejection of dualism. But when we do so, eliminativists contend, the distinctively Cartesian notion of consciousness will simply drop out of our world-picture, like phlogiston or the vital entelechy
Abstract: The focus of this paper will be on the problem of perceptual presence and on a solution to this problem pioneered by Kant [1781; 1783] and refined by Sellars [Sellars, 1978] and Strawson [Strawson, 1971]. The problem of perceptual presence is that of explaining how our perceptual experience of the world gives us a robust sense of the presence of objects in perception over and above those sensory aspects of the object given in perception. Objects possess other properties which are, one might say, phenomenologically present even though they are admittedly sensorily absent. The general form of the solution to this problem that Kant developed seems to me to be a neglected resource in contemporary work on perceptual consciousness. Kant solves the problem of perceptual presence by appealing to that which he called the productive use of the imagination. This faculty of mind supplies schematic representations of the object of perception that explains a phenomenological sense of perceptual presence even of those features that are not, in a sense to be further clarified,
Abstract: The concept of consciousness appears to have had little currency before the 17th century. Not only did philosophers before Descartes fail to worry about how consciousness fitted into the natural world, they did not even claim to be conscious. If we are conscious, however, we must assume that they were too, and it hardly seems plausible that they could have been unaware of it. In fact, when the mind was discussed in former ages, both before and within the work of Descartes, the concept of imagination filled most (not all) of the key conceptual roles that consciousness fills today. Although it was not considered uniquely problematic, in the way that consciousness is, imagination continued to be used in these ways long after the Cartesian revolution. It was both the mental arena where thinking took place - where ideas (images) had their being and their interaction - and, implicitly, the power whereby the deliverances of the material sense organs were integrated and rendered meaningful (and, thereby, rendered 'mental'). This suggests that the study of the imagination (in the relevant senses) ought to have a considerable bearing on the study of consciousness, and it may even provide a way to outflank the notorious 'hard problem' that seems to stand in the way of a direct scientific assault on consciousness itself
Abstract: In this paper I first discuss the colour-octahedron and the position of this model as an idealized system with respect to the remarks on colour-concepts in Remarks on Colour (RC). The next part examines the notion of apsect seeing in the light of the colour-octahedron and RC. From there a connection is made with On Certainty (OC). By linking the remarks on colour, seeing aspects and certainty, it may become clear that the investigations of Wittgenstein concerning colour and certainty direct us towards a reflective dynamics and an anthropological interpretation of his ideas.
Abstract: Echoing Beardsley's trinity of unity, complexity, and intensity, Perkins develops three interrelated criteria on which to base an evaluation of film: credibility, coherence, and significance. I assess whether Perkins criteria of credibility serves as a useful standard for film criticism. Most of the effort will be devoted to charitably reconstructing the notion of credibility by bringing together some of Perkins' particular comments. Then I will briefly examine whether Perkins has successfully achieved his goal of developing standards of judgment by holding credibility up to his own criteria of successful meta-criticism: "The clarification of standards should help to develop the disciplines of criticism without seeking to lay obligations on the film-maker" (p. 59). Although I argue that Perkins fails to achieve his goal, his criterion of credibility remains a useful mechanism for evaluating artistic attempts to achieve a particular end, namely spectator immersion. A limited domain of application for his criteria might seem to leave us with little more than an idiosyncratic expression of his classicist artistic taste, but Film as Film also contains valuable insights relevant to the so called "problem of imaginative resistance."
Abstract: Authors have a lot of leeway with regard to what they can make true in their story. In general, if the author says that p is true in the fiction we’re reading, we believe that p is true in that fiction. And if we’re playing along with the fictional game, we imagine that, along with everything else in the story, p is true. But there are exceptions to these general principles. Many authors, most notably Kendall Walton and Tamar Szabó Gendler, have discussed apparent counterexamples when p is “morally deviant”. Many other statements that are conceptually impossible also seem to be counterexamples. In this paper I do four things. I survey the range of counterexamples, or at least putative counterexamples, to the principles. Then I look to explanations of the counterexamples. I argue, following Gendler, that the explanation cannot simply be that morally deviant claims are impossible. I argue that the distinctive attitudes we have towards moral propositions cannot explain the counterexamples, since some of the examples don’t involve moral concepts. And I put forward a proposed explanation that turns on the role of ‘higher-level concepts’, concepts that if they are satisfied are satisfied in virtue of more fundamental facts about the world, in fiction, and in imagination
Abstract: Remembering a cat sleeping (specifically, recollecting the way the cat looked), perceiving (specifically, seeing) a cat sleeping, and imagining (specifically, visualizing) a cat sleeping are of course importantly different. Nonetheless, from the first-person perspective they are palpably alike. Our first question is
Abstract: Interest in imagination dates back to Plato and Aristotle, but full-length works have been devoted to it only relatively recently by Sartre, McKellar, Furlong, Casey, Johnson, Warnock, Brann, and others. Despite their length and variety, however, these current theories take overly narrow views of this complex phenomenon. (1) Their definitions of “imagination” neglect the multiplicity of its meanings and tend to focus narrowly on the power of imaging alone (which produces images and imagery). But imagination in the fullest, most encompassing sense centers instead on creativity, which involves both imaging and reasoning powers. (2) Current accounts of the operations of imagination narrowly construe it in fixed, immutable terms. But it’s instead a dynamic, evolving synergy of its psychological roots (images and symbols) and sociobiological roots (cultures and instincts). This synergy has transformed the roles of images and symbols in imagination (as Vygotsky, Goody, etc. note). For example, in the shift from mytheopic to scientific imagination, literacy and formal education fostered abstract symbolic thinking (reason), which differs from mytheopic thinking based on richly concrete associations (imagery). The result was “more than cool reason”, but experimental studies (by Perkins, Clement, etc.) show that it’s also more than just dreamy imagery. It’s a dynamic synergy of the two that has transformed both. (3) Current evaluations of imagination’s potentials are also narrow. They tend to focus on its role in mental life while ignoring social and political life. Also, they tend to follow romantic and existentialist customs of extolling imagination’s virtues without soberly critiquing its limitations. Again, they ignore the synergy of psychological, sociological and biological forces that shape mental and social evolution, and promote and constrain imagination in complex ways. For example, Sartre surreally asks us to choose our own nature with an imagination emancipated from institutional and instinctual strictures. Yet making intelligible choices depends on these strictures. (4) In conclusion, current theories define imagination narrowly in terms of imaging, they describe its operations in fixed and immutable terms, and they evaluate its potentials without examining the full interplay of forces shaping it. These shortcomings are remedied by a broader perspective that defines imagination more adequately and comprehensively, and that recognizes it’s complex roots, dynamic operations, and evolving potentials.
Abstract: Both imagery and imagination play an important part in our mental lives. This article, which has three main sections, discusses both of these phenomena, and the connection between them. The first part discusses mental images and, in particular, the dispute about their representational nature that has become known as the _imagery debate_ . The second part turns to the faculty of the imagination, discussing the long philosophical tradition linking mental imagery and the imagination—a tradition that came under attack in the early part of the twentieth century with the rise of behaviorism. Finally, the third part of this article examines modal epistemology, where the imagination has been thought to serve an important philosophical function, namely, as a guide to possibility
Abstract: Despite their intuitive appeal and a long philosophical history, imagery-based accounts of the imagination have fallen into disfavor in contemporary discussions. The philosophical pressure to reject such accounts seems to derive from two distinct sources. First, the fact that mental images have proved difficult to accommodate within a scientific conception of mind has led to numerous attempts to explain away their existence, and this in turn has led to attempts to explain the phenomenon of imagining without reference to such ontologically dubious entities as mental images. Second, even those philosophers who accept mental images in their ontology have worried about what seem to be fairly obvious examples of imaginings that occur without imagery. In this paper, I aim to relieve both these points of philosophical pressure and, in the process, develop a new imagery-based account of the imagination: the imagery model
Abstract: To the best of my knowledge, with the exception of Galton's original work (1880, 1883), Sommer's brief case study (1978), and Faw's (1997, 2009) articles, this is the only really substantial discussion of the phenomenon of non-brain-damaged "non-imagers" available anywhere.
Abstract: The principal temptation toward substance dualisms, or otherwise incorporating a question begging homunculus into our psychologies, arises not from the problem of consciousness in general, nor from the problem of intentionality, but from the question of our awareness and understanding of our own mental contents, and the control of the deliberate, conscious thinking in which we employ them. Dennett has called this "Hume's problem". Cognitivist philosophers have generally either denied the experiential reality of thought, as did the Behaviorists, or have taken an implicitly epiphenomenalist stance, a form of dualism. Some sort of mental duality may indeed be required to meet this problem, but not one that is metaphysical or question begging. I argue that it can be solved in the light of Paivio's "Dual Coding" theory of mental representation. This theory, which is strikingly simple and intuitive (perhaps too much so to have caught the imagination of philosophers) has demonstrated impressive empirical power and scope. It posits two distinct systems of potentially conscious representations in the human mind: mental imagery and verbal representation (which is not to be confused with 'propositional' or "mentalese" representation). I defend, on conceptual grounds, Paivio's assertion of precisely two codes against interpretations which would either multiply image codes to match sense modes, or collapse the two, admittedly interacting, systems into one. On this basis I argue that the inference that a conscious agent would be needed to read such mental representations and to manipulate them in the light of their contents can be pre-empted by an account of how the two systems interact, each registering, affecting and being affected by developing associative processes within the other
Abstract: A comprehensive theory of the structure and cognitive function of the human imagination, and its relationship to perceptual experience, is developed, largely through a critique of the account propounded in Colin McGinn's Mindsight. McGinn eschews the highly deflationary (and unilluminating) views of imagination common amongst analytical philosophers, but fails to develop his own account satisfactorily because (owing to a scientifically outmoded understanding of visual perception) he draws an excessively sharp, qualitative distinction between imagination and perception (following Wittgenstein, Sartre, and others), and because of his fatally flawed, empirically ungrounded conception of hallucination. In fact, however, an understanding of perception informed by modern visual science will enable us to unify our accounts of perception, mental imagery, dreaming, hallucination, creativity, and other aspects of imagination within a single coherent theoretical framework
Abstract: You’re imagining, in the course of a different game of make-believe, that you’re a bank robber. You don’t believe that you’re a bank robber. You are moved to point your finger, gun-wise, at the person pretending to be the bank teller and say, “Stick ‘em up! This is a robbery!”
Abstract: I had a structural worry about the relation of Gaita’s three chapters on truth, interesting though these chapters are, to the rest of Gaita’s project. And I had some residual questions left after reading the book: What are persons? How do we know when we are encountering one, and when are we justified (we must be sometimes: compare the various sorts of animal) in a decision that something we encounter is not a person? Do evil actions always involve a sort of blindness to what is being done? If so, how easy is it to explain how agents who do evil can be held responsible for their cognitive deficiencies? These may of course be questions that Gaita was not trying to answer; but in any case, as I hope I have conveyed, I found A Common Humanity a striking and revelatory read, and I warmly recommend it
Abstract: By the age of two, children are able to engage in highly elaborate games of symbolic pretense, in which objects and actions in the actual world are taken to stand for objects and actions in a realm of make-believe. These games of pretense are marked by the presence of two central features, which I will call quarantining and mirroring (see also Leslie 1987; Perner 1991). Quarantining is manifest to the extent that events within the pretense-episode are taken to have effects only within that pretense-episode (e.g. the child does not expect that ‘spilling’ ( pretend) ‘tea’1 will result in the table really being wet), or more generally, to the extent that proto-beliefs and proto-attitudes concerning the pretended state of affairs are not treated as beliefs and attitudes relevant to guiding action in the actual world. Mirroring is manifest to the extent that features of the imaginary situation that have not been explicitly stipulated are derivable via features of their real-world analogues (e.g. the child does expect that if she up-ends the teapot above the table, then the table will become wet in the pretense), or, more generally to the extent that imaginative content is taken to be governed by the same sorts of restrictions that govern believed content
Abstract: I propose that paradigmatic cases of self-deception satisfy the following conditions: (a) the person who is self-deceived about not-P pretends (in the sense of makes-believe or imagines or fantasizes) that not-P is the case, often while believing that P is the case and not believing that not-P is the case; (b) the pretense that not-P largely plays the role normally played by belief in terms of (i) introspective vivacity and (ii) motivation of action in a wide range of circumstances. Understanding self-deception in this way is highly natural. And it provides a non- paradoxical characterization of the phenomenon that explains both its distinctive patterns of instability and its ordinary association with irrationality. Why, then, has this diagnosis been overlooked? I suggest that the oversight is due to a failure to recognize the philosophical significance of a crucial fact about the human mind, namely, the degree to which attitudes other than belief often play a central role in our mental and practical lives, both by “influenc[ing our]. . . passions and imagination,” and by “governing. . .our actions.”
Abstract: Iteration presents opposing puzzles for a theory of the imagination. The first puzzle, noted by David Lewis, is that when a person pretends to pretend, the iteration is often preserved. Let’s call this the puzzle of ‘pre- served iteration’. At the other pole, Gregory Currie has noted that very often when we pretend to pretend, the iteration does collapse. We might call this the puzzle of ‘collapsed iteration’. Somehow a theory of the imagination must be able to address these two puzzles. I argue that an empirically inspired cognitive theory of the imagination (Nichols & Stich 2000) can accommodate both puzzles
Abstract: Imaginative representations are crucial to the generation of action--both pretense and plain action. But well-known theories of imagination on offer in the literature [1] fail to describe how perceptually-formatted imaginings (mental images) and motor imaginings function in the generation of action and [2] fail to recognize the important fact that spatially rich imagining can be integrated into one's perceptual manifold. In this paper, I present a theory of imagining that shows how spatially rich imagining functions in the generation of action. I also describe the imaginative structures behind two under-explored forms of action: semi-pretense and pretense layering. In addition, I suggest that my theory of imagining meshes better than the competitors with current work in cognitive and affective neuroscience.
Abstract: This paper claims that the standard characterization of the motivational role of belief should be supplemented. Beliefs do not only, jointly with desires, cause and rationalize actions that will satisfy the desires, if the beliefs are true; beliefs are also the practical ground of other cognitive attitudes, like imagining, which means beliefs determine whether and when one acts with those other attitudes as the cognitive inputs into choices and practical reasoning. In addition to arguing for this thesis, I take issue with Velleman's argument that belief and imagining cannot be distinguished on the basis of motivational role.
Abstract: Thought experiments have a mysterious way of informing us about the world, apparently without examining it, yet with a great degree of certainty. It is tempting to try to explain this capacity by making use of the idea that in thought experiments, the mind somehow simulates the processes about which it reaches conclusions. Here, I test this idea. I argue that when they predict the outcomes of hypothetical physical situations, thought experiments cannot simulate physical processes. They use mental models, which should not be confused with process-driven simulations. A convincing case can be made that thought experiments about hypothetical mental processes are mental simulations. Concerning moral thought experiments, I argue that construing them as simulations of mental processes favours certain moral theories over others. The scope of mental simulation in thought experiments is primarily limited by the constraint of relevant similarity on source and target processes: on one hand, this constraint disqualifies thought from simulating external natural processes; on the other hand, it is a source of epistemic bias in moral thought experiments. In view of these results, I conclude that thought experiments and mental simulations cannot be assimilated as means of acquiring knowledge.
Abstract: Remembering a cat sleeping (specifically, recollecting the way the cat looked), perceiving (specifically, seeing) a cat sleeping, and imagining (specifically, visualizing) a cat sleeping are of course importantly different. Nonetheless, from the first-person perspective they are palpably alike. Our first question is
Abstract: The highly enjoyable experiences associated with drinking good wines have been widely misunderstood. It is common to regard wine appreciation as an analytical or quasi-scientific kind of activity, in which wine experts carefully distinguish the precise sensory qualities of each wine, and then pass on their accumulated factual knowledge to less experienced wine enthusiasts. However, this model of wine appreciation is seriously defective. One good way to show its defects is to provide a better and more fundamental scientific account of what is involved in wine appreciation. In order to do so, I outline a novel, evolutionarily based theory of perceptual consciousness that explains why there must be imaginative as well as analytical kinds of experiences of wines. In addition, imaginative wine experiences, unlike typical imaginative artistic experiences, may be shown to involve highly individualistic, improvisatory elements that help to give wine drinking a unique place among the recreational arts
Abstract: You’re imagining, in the course of a different game of make-believe, that you’re a bank robber. You don’t believe that you’re a bank robber. You are moved to point your finger, gun-wise, at the person pretending to be the bank teller and say, “Stick ‘em up! This is a robbery!”
Abstract: Subjects with delusions profess to believe some extremely peculiar things. Patients with Capgras delusion sincerely assert that, for example, their spouses have been replaced by impostors. Patients with Cotard’s delusion sincerely assert that they are dead. Many philosophers and psychologists are hesitant to say that delusional subjects genuinely believe the contents of their delusions.2 One way to reinterpret delusional subjects is to say that we’ve misidentified the content of the problematic belief. So for example, rather than believing that his wife is has been replaced by an impostor, we might say that the victim of Capgras delusion believes that it is, in some respects, as if his wife has been replaced by an impostor. Another is to say that we’ve misidentified the attitude that the delusional subject bears to the content of their delusion. So for example, Gregory Currie and co-authors have suggested that rather than believing that his wife has been replaced by an impostor, we should say that the victim of Capgras delusion merely imagines that his wife has been replaced by an impostor.3
Abstract: _In real life, emotions can distort practical reasoning, typically in ways that it is_ _difficult to realise at the time, or to envisage and plan for in advance. This fea-_ _ture of real life emotional experience raises difficulties for imagining such expe-_ _riences through centrally imagining, or imagining ‘from the inside’. I argue_ _instead for the important psychological role played by another kind of imagin-_ _ing: imagining from an external perspective. This external perspective can draw_ _on the dramatic irony involved in imagining these typical cases, where one_ _knows outside the scope of the imagining what one does not know as part of the_ _content of what one imagines: namely, that the imagined emotion is distorting_ _one’s reasoning. Moreover, imagining from an external perspective allows one_ _to evaluate the imagined events in a way that imagining from the inside does not._
Abstract: Penultimate draft; please refer to published version. I argue, on philosophical, psychological, and neurophysiological grounds, that contrary to an orthodox view, dreams do not typically involve misleading sensations and false beliefs. I am thus in partial agreement with Colin McGinn, who has argued that we do not have misleading sensory experience while dreaming, and partially in agreement with Ernest Sosa, who has argued that we do not form false beliefs while dreaming. Rather, on my view, dreams involve mental imagery and propositional imagination. I defend the imagination model of dreaming from some objections
Abstract: Penultimate draft; please refer to published version -- especially important in this case, as the official version has been Britishized; even the title's second letter is not the same. Abstract. Ernest Sosa has argued that the solution to dream skepticism lies in an understanding of dreams as imaginative experiences – when we dream, on this suggestion, we do not believe the contents of our dreams, but rather imagine them. Sosa rebuts skepticism thus: dreams don’t cause false beliefs, so my beliefs cannot be false, having been caused by dreams. I argue that, even assuming that Sosa is correct about the nature of dreaming, belief in wakefulness on these grounds is epistemically irresponsible. The proper upshot of the imagination model, I suggest, is to recharacterize the way we think about dream skepticism: the skeptical threat is not, after all, that we have false beliefs. So even though dreams don’t involve false beliefs, they still pose a skeptical threat, which I elaborate
Abstract: Interest in imagination dates back to Plato and Aristotle, but full-length works have been devoted to it only relatively recently by Sartre, McKellar, Furlong, Casey, Johnson, Warnock, Brann, and others. Despite their length and variety, however, these current theories take overly narrow views of this complex phenomenon. (1) Their definitions of “imagination” neglect the multiplicity of its meanings and tend to focus narrowly on the power of imaging alone (which produces images and imagery). But imagination in the fullest, most encompassing sense centers instead on creativity, which involves both imaging and reasoning powers. (2) Current accounts of the operations of imagination narrowly construe it in fixed, immutable terms. But it’s instead a dynamic, evolving synergy of its psychological roots (images and symbols) and sociobiological roots (cultures and instincts). This synergy has transformed the roles of images and symbols in imagination (as Vygotsky, Goody, etc. note). For example, in the shift from mytheopic to scientific imagination, literacy and formal education fostered abstract symbolic thinking (reason), which differs from mytheopic thinking based on richly concrete associations (imagery). The result was “more than cool reason”, but experimental studies (by Perkins, Clement, etc.) show that it’s also more than just dreamy imagery. It’s a dynamic synergy of the two that has transformed both. (3) Current evaluations of imagination’s potentials are also narrow. They tend to focus on its role in mental life while ignoring social and political life. Also, they tend to follow romantic and existentialist customs of extolling imagination’s virtues without soberly critiquing its limitations. Again, they ignore the synergy of psychological, sociological and biological forces that shape mental and social evolution, and promote and constrain imagination in complex ways. For example, Sartre surreally asks us to choose our own nature with an imagination emancipated from institutional and instinctual strictures. Yet making intelligible choices depends on these strictures. (4) In conclusion, current theories define imagination narrowly in terms of imaging, they describe its operations in fixed and immutable terms, and they evaluate its potentials without examining the full interplay of forces shaping it. These shortcomings are remedied by a broader perspective that defines imagination more adequately and comprehensively, and that recognizes it’s complex roots, dynamic operations, and evolving potentials.
